January 10th, 2011 § 0 comments § permalink

I’m not entirely convinced by Bruce Sterling’s love of Cibelle. He says of the ‘Abravanista’ movement around her:

So the Abravanista crowd are a kind of “oh fuck off” counterculture who have gone into a vibrant, post-traumatic creative scene. It’s this air of surreal nihilism that puts some iron in their bones. It’s why I take them seriously and consider them global-scale trend-setters as an art movement.

Also entertaining is that she’s very firm about being based in Dalston — in the same way as artists of other generations might emphasise being in the Castro, or the Greenwich Village, or the Left Bank. Queue laughter from all my father’s generation

January 7th, 2011 § 0 comments § permalink


The monkeys in our heads are rattled, they’re bouncing and swinging
out of control. Streams of thought block awareness of the moment. We’re
somnambulists in a world of persistent dreams that are not necessarily
our own. The voices in our heads are not inherently our own, and not
inherently friendly. And there are so many of them.

February 13th, 2010 § 0 comments § permalink

From Bruce Sterling’s compellingly-annotated Flickr set studies in atemporality, presumably a companion to his Transmediale speech:

What I love about this is that it’s obviously part of that Strychnin aesthetic of steampunk victoriana and Gaimanesque fairy-tales, but has managed to bridge the gap between there and the real world. Oh what a world, where introducing punk into steampunk can be a revelatory gesture.

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